[Fis] Fwd: Re: Brenner 2020 New Year Lecture
howlbloom at aol.com
Wed Jan 8 02:23:13 CET 2020
a terrifically written contribution, dai.
with warmth and oomph--howard
From: Dai Griffiths <dai.griffiths.1 at gmail.com>
To: fis <fis at listas.unizar.es>
Sent: Tue, Jan 7, 2020 9:15 am
Subject: Re: [Fis] Fwd: Re: Brenner 2020 New Year Lecture
On 07/01/2020 12:42, Pedro C. Marijuán wrote:
> Finally disinformation has IMO a peculiar form/structure, somehow
> different. It fits too well with some preconceived "partisan" views,
> it is addressed to raise visceral reactions, it contains no
> contrasting or balancing elements, it has no evident/credible
> "institutional" reference. It is a fake!
I suspect that disinformation may be more pervasive than you suggest.
Sitting in Mallorca airport as I type, most of the graphic and
linguistic material that I can see seems to me to have some kind of
disinformative character. The sign at the bar appears to be a personal
message, but is actually from a marketing department. The coffee offers
me a 'real Italian coffee experience', whatever that may be. The water
bottles want to convince me that their contents are distinguishable. The
corporation that runs the pastry store wants to tell me that it is a
family business estabilshed in 1854 rather than a purchased brand.
Perhaps it is the informative interactions which are somehow different?
More generally I wonder if disinformation is not at the heart of
artistic expression. A Rembrandt portrait convinces us that we are
looking at a person, even when we know that we are looking at the
astonishing manipulation of paint. More generally, a metaphor sees one
thing in terms of another. But the mapping is not complete or exact. To
the degree that arrows cannot be constructed of desire (the William
Blake exhibition is fresh in my memory), and nor could Princess Diana
have been mistaken for an English Rose, is the metaphor itself a mix of
information and disinformation? How could we calibrate or describe such
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__________________________Howard BloomHowardbloom.nettrailer for BRIC-TV's 66-minute film,The Grand Unified Theory of Howard Bloom, https://youtu.be/rGkOkChazUQ
Author of: The Lucifer Principle: A Scientific Expedition Into the Forces of History ("mesmerizing"-The Washington Post), Global Brain: The Evolution of Mass Mind From The Big Bang to the 21st Century ("reassuring and sobering"-The New Yorker),The Genius of the Beast: A Radical Re-Vision of Capitalism ("A tremendously enjoyable book." James Fallows, National Correspondent, The Atlantic), The God Problem: How A Godless Cosmos Creates ("Bloom's argument will rock your world." Barbara Ehrenreich),How I Accidentally Started the Sixties (“Wow! Whew! Wild! Wonderful!” Timothy Leary),The Mohammed Code (“A terrifying book…the best book I’ve read on Islam.” David Swindle, PJ Media), andEinstein, Michael Jackson & Me: a Search for Soul in the Power Pits of Rock & Roll ("Amazing. The writing is revelatory." Freddy DeMann, manager of Michael Jackson and Madonna).A Quartz Magazine ProFormer Visiting Scholar, Graduate Psychology Department, New York University, Former Core Faculty Member, The Graduate Institute; Kepler Space Institute Senior Scholar .Founder: International Paleopsychology Project. Founder, Space Development Steering Committee. Member Of Board Of Governors, National Space Society. Founding Board Member: Epic of Evolution Society. Founding Board Member, The Darwin Project,.
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