<html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=Windows-1252">
</head>
<body>
<div dir="ltr">
<div dir="ltr" style="font-family: Aptos, Arial, Helvetica, sans-serif; font-size: 12pt;">
<span style="font-family: Avenir, Arial, Helvetica, sans-serif;">Hi Paul, et al,</span></div>
<div dir="ltr" style="font-family: Aptos, Arial, Helvetica, sans-serif; font-size: 12pt;">
<span style="font-family: Avenir, Arial, Helvetica, sans-serif;">Y</span><span style="font-family: Avenir, Arial, Helvetica, sans-serif;">our points are well taken and echo the lovely Hannah Arendt, with a touch of Ayn Rand as well. </span><span></span></div>
<div dir="ltr"><font face="Avenir, Arial, Helvetica, sans-serif" size="3">And you have put your thumb on the deeper meaning and function of the painful category of emotional experience - the
<b>True South</b> of </font><font face="Avenir, Arial, Helvetica, sans-serif"><b>“</b></font><font face="Avenir, Arial, Helvetica, sans-serif" size="3"><b>self-preservation”</b>. Basic feelings of fear, disgust, sadness and anger - and their fight and flight
responses - are our hardwired safeguard against social manipulation and domination of the individual within any collective. These “violations” are simply our social hacking of the reward~punishment aspect of Pavlovian learning, and applying third
<span style="font-family: Avenir, Arial, Helvetica, sans-serif;">party control through social bribes and threats. This has been one of humanities greatest failures in not understanding the “self-regulatory” nature of emotional signals, as well as how biology defines “self-identity”.</span></font></div>
<div dir="ltr"><font><font size="3"><span style="font-family: Avenir, Arial, Helvetica, sans-serif;">Indeed, the deep, abstract, structure of identity is</span><span style="font-family: Avenir, Arial, Helvetica, sans-serif;"><b> both</b></span><span style="font-family: Avenir, Arial, Helvetica, sans-serif;">
an autonomous whole (an embodied individual </span></font><span style="font-family: Avenir, Arial, Helvetica, sans-serif;">navigating</span><font size="3"><span style="font-family: Avenir, Arial, Helvetica, sans-serif;"> in its local </span></font></font><font face="Avenir, Arial, Helvetica, sans-serif" size="3">environment),
and a <b style="font-family: Avenir, Arial, Helvetica, sans-serif;">part </b>of a greater collective whole - all the way down to the electron in an atom (if not entangled “particles” in the quantum domain). For example, the "external” valence electrons
<span style="font-family: Avenir, Arial, Helvetica, sans-serif;">function as the connective bonding within an atom as a whole, while the behavior of electrons within “inside” shells, are parts of that greater whole. So the electron - a fundamental particle
- is Both a part and a Whole.</span></font></div>
<div dir="ltr"><font size="3"><font face="Aptos, Arial, Helvetica, sans-serif" size="3" style="font-family: Avenir, Arial, Helvetica, sans-serif;"><span style="font-family: Avenir, Arial, Helvetica, sans-serif;">This same Part~Whole identity structure is mediated
all the way up the evolutionary ladder, evidenced in the self/not-self identity distinctions in </span></font><font face="Avenir, Arial, Helvetica, sans-serif"><span style="font-family: Avenir, Arial, Helvetica, sans-serif;">cellular</span></font><font size="3"><font face="Avenir, Arial, Helvetica, sans-serif" style="font-family: Aptos, Arial, Helvetica, sans-serif;"><span style="font-family: Avenir, Arial, Helvetica, sans-serif;"> </span></font><span style="font-family: Avenir, Arial, Helvetica, sans-serif;">differentiation</span><font face="Avenir, Arial, Helvetica, sans-serif"><font face="Aptos, Arial, Helvetica, sans-serif"><span style="font-family: Avenir, Arial, Helvetica, sans-serif;">,
genetic, epigenetic and immune regulation. (If the </span></font><span style="font-family: Avenir, Arial, Helvetica, sans-serif;">individual</span><font face="Aptos, Arial, Helvetica, sans-serif"><span style="font-family: Avenir, Arial, Helvetica, sans-serif;"> loses
sight of its collective identity, for </span><span style="font-family: Avenir, Arial, Helvetica, sans-serif;">example, cancer results.)</span></font></font></font></font></div>
<div dir="ltr" style="font-family: Aptos, Arial, Helvetica, sans-serif; font-size: 12pt;">
<br>
</div>
<div dir="ltr"><font size="3"><font face="Avenir, Arial, Helvetica, sans-serif">Fast-forward to human psychiatry and the role of emotion in mediating “identity”, Daniel Seigel offers the term “MWE” to capture this dual identity structure. (Martin Buber addressed this
as I and THOU.) It is the task of every sentient individual to mediate an <b>optimal balance</b> between both autonomous and collective aspects of identity, and
<span style="font-family: Avenir, Arial, Helvetica, sans-serif;">subordinate one over the other is a mistake. (The East tends to subordinate autonomy while West subordinates collectivity, as do the extreme Right and Left of US politics.)</span></font></font></div>
<div dir="ltr" style="font-family: Aptos, Arial, Helvetica, sans-serif; font-size: 12pt;">
<font size="3"><font face="Avenir, Arial, Helvetica, sans-serif"><br>
</font></font></div>
<div dir="ltr"><font><font><span style="font-family: Avenir, Arial, Helvetica, sans-serif; font-size: medium;">But as Francesco,</span><font face="Times New Roman, serif"> </font><font face="Avenir, Arial, Helvetica, sans-serif" size="3">Pedro - and all the
major </font></font><span style="font-family: Avenir, Arial, Helvetica, sans-serif; font-size: medium;">religious</span><font size="3" style="font-family: Avenir, Arial, Helvetica, sans-serif; font-size: medium;"> traditions - suggest, our
<b>True North </b>toward cultivating the <b>complex positive emotional</b> experiences (<b>“LOVE”</b> as God, compassion, gratitude, forgiveness, humility, etc….the divine Fruits of Spirit), speak to our innate desire for relational bonds in ever-larger collectives.
They are </font></font><font face="Avenir, Arial, Helvetica, sans-serif" size="3">about our "self-<span style="font-family: Avenir, Arial, Helvetica, sans-serif;">developmental" and collective, cooperative, and co-creative capacities.</span></font></div>
<div dir="ltr" style="font-family: Aptos, Arial, Helvetica, sans-serif; font-size: 12pt;">
<br>
</div>
<div dir="ltr"><font face="Avenir, Arial, Helvetica, sans-serif" size="3">This misunderstanding of the dual nature of identity, together with the equally biophysically false </font><font face="Avenir, Arial, Helvetica, sans-serif">dichotomies</font><font face="Avenir, Arial, Helvetica, sans-serif" size="3"> of
Good and Evil, and Us versus Them; are a major culturally constructed source of our most self-destructive behavior as a species. (Recall “The Fall” in Genesis, was about eating the fruit from the forbidden Tree of
<i>Knowledge of Good and Evil, </i>which I interpret biophsyically as our own creation of our own misguided value system - separating us from those of our innate emotional sentience.)</font></div>
<div dir="ltr"><font face="Avenir, Arial, Helvetica, sans-serif" size="3"><span style="font-family: Avenir, Arial, Helvetica, sans-serif;"><br>
</span></font></div>
<div dir="ltr"><font face="Avenir, Arial, Helvetica, sans-serif" size="3" style="font-family: Aptos, Arial, Helvetica, sans-serif; font-size: 12pt;"><span style="font-family: Avenir, Arial, Helvetica, sans-serif;">Thank you all for thinking about emotion, and
I </span></font><font face="Avenir, Arial, Helvetica, sans-serif" size="3">encourage you to likewise think about identity as “form”, and your personal experiences of navigating the ‘in-formative” relational boundary between self and other, how both emotional resonance and
dissonance play out in attaining optimal balance.</font></div>
<div dir="ltr" style="font-family: Aptos, Arial, Helvetica, sans-serif; font-size: 12pt;">
<font face="Avenir, Arial, Helvetica, sans-serif" size="3">With all best wishes for optimal health and authentic happiness,</font></div>
<div dir="ltr" style="font-family: Aptos, Arial, Helvetica, sans-serif; font-size: 12pt;">
<font face="Avenir, Arial, Helvetica, sans-serif" size="3">Kate Kauffman</font></div>
<div dir="ltr" style="font-family: Aptos, Arial, Helvetica, sans-serif; font-size: 12pt;">
<font face="Avenir, Arial, Helvetica, sans-serif" size="3"><br>
</font></div>
<div dir="ltr" style="font-family: Aptos, Arial, Helvetica, sans-serif; font-size: 12pt;">
<font face="Avenir, Arial, Helvetica, sans-serif" size="3">PS <span style="font-size: medium; text-decoration: none; display: inline !important; background-color: rgb(255, 255, 255);">
Krassimir,</span> I took your on-line test - very cool! I got a low score of 2/8. Did I blow it? Or is this a measure of how language devoid of semantic emotional tone fails?<span style="font-family:-webkit-standard;font-size:medium;text-decoration:none;display:inline !important"></span></font></div>
<div dir="ltr" style="font-family: Aptos, Arial, Helvetica, sans-serif; font-size: 12pt;">
<br>
</div>
<div dir="ltr" style="font-family: Aptos, Arial, Helvetica, sans-serif; font-size: 12pt;">
<br>
</div>
<div id="" class="">
<div class="ms-outlook-mobile-reference-message skipProofing"><span style="mso-bookmark:_MailOriginalBody">
<meta name="Generator" content="Microsoft Exchange Server">
<!-- converted from text --><style><!-- .EmailQuote { margin-left: 1pt; padding-left: 4pt; border-left: #800000 2px solid; } --></style>
<div>On 1/28/26, 12:48 PM, "Fis" <fis-bounces@listas.unizar.es> wrote: Katherine Peil Kauffman</div>
<br>
<font size="2"><span style="font-size:11pt;">
<div class="PlainText">Send Fis mailing list submissions to<br>
fis@listas.unizar.es<br>
<br>
To subscribe or unsubscribe via the World Wide Web, visit<br>
<a href="http://listas.unizar.es/cgi-bin/mailman/listinfo/fis">https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Flistas.unizar.es%2Fcgi-bin%2Fmailman%2Flistinfo%2Ffis&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140802807%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=FoEXSh%2Bj7SVbLbso6wvaPu12j%2BQtlXbN%2BNh3DnevcWk%3D&reserved=0</a><br>
or, via email, send a message with subject or body 'help' to<br>
fis-request@listas.unizar.es<br>
<br>
You can reach the person managing the list at<br>
fis-owner@listas.unizar.es<br>
<br>
When replying, please edit your Subject line so it is more specific<br>
than "Re: Contents of Fis digest..."<br>
<br>
<br>
Today's Topics:<br>
<br>
1. Re: Fwd: What is Art? The Missing Link (Paul Suni)<br>
<br>
<br>
----------------------------------------------------------------------<br>
<br>
Message: 1<br>
Date: Wed, 28 Jan 2026 11:47:12 -0800<br>
From: Paul Suni <paul.p.suni@gmail.com><br>
To: Pedro C. Mariju?n <pedroc.marijuan@gmail.com><br>
Cc: fis@listas.unizar.es<br>
Subject: Re: [Fis] Fwd: What is Art? The Missing Link<br>
Message-ID:<br>
<CAKTT-2ibZhX0gyzjxAw+FWwTjQELfc2zHBmmFMHMWY4PuJ=ksA@mail.gmail.com><br>
Content-Type: text/plain; charset="utf-8"<br>
<br>
Dear Pedro,<br>
<br>
You bring up crucially important points about art as embodying shared<br>
aesthetic forms (Clynes); art as nourishment (extra-trophic), and the<br>
taking in and metabolization of aesthetic nutrients as a matter of<br>
biological capability - not all aesthetic nutrients can be absorbed by all<br>
organisms. Among humans there is selectivity based on capability and taste<br>
(or the lack of taste), which occurs on a spectrum from high art (extreme<br>
art) to unexceptional mass productions of demi/pseudo art. You end your<br>
commentary appropriately noting that such nourishment may be essential for<br>
social wellbeing. I agree that wellbeing, art and love belong intimately<br>
together, as you emphasize. I think what you are trying to say is<br>
provocative and very valuable, but let me nitpick on that a bit, if I may.<br>
<br>
As a student of wellbeing, I hold it as self-evident that the individual is<br>
the primal unit of wellbeing, and I have yet to make the cognitive leap<br>
from individual wellbeing to social wellbeing, but I imagine that your<br>
reference to social wellbeing is actually to the social context within<br>
which individual wellbeing is potentially realized, rather than the<br>
experience of wellbeing itself. That would keep us on the same page. You<br>
see, my prejudiced view of *social* wellbeing is that it is a particular<br>
kind of discourse, a technology of persuasion and oftentimes a coercive<br>
language game, whose primary function in groups is putting people in their<br>
place and teaching them lessons - socialization, in other words: For<br>
example, " if Paul does not agree with this academic committee's notion of<br>
wellbeing, Paul should not be regarded as one of us. Paul must produce and<br>
accept the kinds of aesthetic nutrients that this committee approves. We<br>
are one."<br>
<br>
Above all, the collective cannot experience any particular aesthetic form<br>
on an individual's behalf. Socialization makes collectives happy, by fiat.<br>
You see, there is that which the self-identified communist New York Mayor<br>
Zohran Mamdani calls, " The warmth of collectivism." That warmth is<br>
probably an expansive, love-like feeling inside Mamdani, which may be<br>
catalyzed by visions of happy masses singing the praises of the collective,<br>
where everyone is of academically endorsed race, gender and moral<br>
sentiments.<br>
<br>
Love ostensibly begins in neoteny, and expands into the social domain,<br>
where it can be harnessed as a persuasive technology for political,<br>
religious or simply sadistic purposes. Mamdani's idea of the warmth of<br>
collectivism brings to my mind Hitler's ovens at Auschwitz and the hell<br>
that Mao's cultural revolution put Chinese intellectuals through. I am also<br>
reminded of the unspeakable plight of artists and composers in the Soviet<br>
Union, not to speak of the countless exploitative love cults throughout<br>
history.<br>
<br>
Nevertheless, love is the perfect correlate of art, in a fundamental sense.<br>
Although art does occur in contractive and hateful contexts such as the<br>
exuberant manufacture of brutal postmodern ugliness in universities, I<br>
choose to regard that kind of academically inspired art as inauthentic - as<br>
art in name only. There is no wellbeing in it. The most productive<br>
conversations about art that I can imagine involve the notion of art as<br>
expanding individual potentials and accumulating surpluses of rich and<br>
fulfilling personal experiences - spiritual wealth.<br>
<br>
Having said that, we must ask what is human potential and what makes an<br>
experience rich and fulfilling? I have much to say about that, but I've<br>
said enough. Science might quickly retort, as a reflex, that what makes an<br>
experience rich and fulfilling is natural selection. Academic literature is<br>
replete with rather infantile mannerisms on how to deflect the conversation<br>
from the personal interior to impersonal explanations. It is the<br>
quintessential mark of academia to silence and cancel interiors -<br>
especially of " the right people."<br>
<br>
Cheers,<br>
Paul<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
On Tue, Jan 27, 2026 at 12:34?PM Pedro C. Mariju?n <<br>
pedroc.marijuan@gmail.com> wrote:<br>
<br>
> Dear All,<br>
><br>
> It is a pity that we have not provided sufficient discussion yet on the<br>
> link between biological capabilities (at least, in advanced mammals) and<br>
> the emergence of human aesthetic/artistic impulses.<br>
> I will make some crazy comments or bold speculations, as you prefer.<br>
><br>
> As was pointed weeks ago, in quite different animal species there appears<br>
> a clear preference for shapes, colors, movements, compositions, etc. that<br>
> show aesthetic value for the human observer. Almost universally it is<br>
> related to mating, courtship and also to the rearing of the offspring.<br>
> Mammalian parenting, for instance, includes hormonal, neurological, and<br>
> social mechanisms with ad hoc forms of sound & visual communication,<br>
> lullabies, songs, etc. I referred days ago to Manfred Clynes' sentic<br>
> forms--quite easy to find in the way mammals (and humans) produce their<br>
> sounds and making "adorable" to their creatures. It is a common trait of<br>
> mammalian placental clades (quite probably).<br>
><br>
> Well, that stock of frequently (neotenic) preferences for forms and<br>
> sounds, and related emotions, gets expanded along human evolution. Again,<br>
> courtship, man-female bonding, and child rearing are in the center. A term<br>
> almost absent from any discussions appears: "love". It is at the very<br>
> nucleus of our species survival. Yes. It creates a transcendent attachment<br>
> to your pair, to your children--and beyond. Falling in love is something<br>
> that in my opinion is not far from the complex that generates the extreme<br>
> forms of art, those of the very, very few that have civilization<br>
> consequences. Actually, that capability would be distributed along a<br>
> continuum, with most people unable to feel or sense real or extreme<br>
> artworks. But of course, the need for the "extra trophic" keeps being<br>
> almost universal on the human sociotype, as I was arguing days ago<br>
> regarding entertainment industries, mass music, tourism, etc. --and this<br>
> generates a continuous stream of demi or pseudo arts. Well, they are needed<br>
> for social well being, presumably, certainly. They are arts too.<br>
><br>
> And that was all!<br>
> With love--Pedro<br>
><br>
> , El 21/01/2026 a las 1:16, Cs?ji L?szl? Kopp?ny escribi?:<br>
><br>
> Dear John, Marcus, Louis, Eric, Mark, and all FiS colleagues,<br>
> We have witnessed excellent argumentations that were both inspiring and<br>
> thought provking. I am grateful to participate.<br>
> I circulate around an easy question after all these considerations: how<br>
> the cellars' cognitive functions, self-cognition, and consciousness relate<br>
> to each other, and how "emotion" as a factor links to them. Theoretically,<br>
> all living creatures differ from crystals, stones, fluid, or aeriform<br>
> materials by having a kind of "decision-making"--an ability of "willing"<br>
> that gives them a "plus".<br>
> Nevertheless, this ability is not an art form; it is just a differentia<br>
> specifica between living ones and those that exist without a<br>
> decision-making gift (capability). Art seems to be a step further, which<br>
> elevates the material environment to a level that could be called<br>
> "super-consciousness", or something like that. Super-consciousness empowers<br>
> us not only to shape the world but to imagine it in another way, and create<br>
> "new realities"--in a way that would not be possible physically.<br>
> This kind of imagination--that exceeds the animals' "rationality"<br>
> (causability?), creativity, and communicative acts...<br>
> Can we specify--and how can we?--such a "plus" (I called it a "human<br>
> spark" in my initial paper), or is this evolutionary thesis just a delusion?<br>
> Cheers,<br>
> L?szl?<br>
><br>
> Mark Johnson <johnsonmwj1@gmail.com> ezt ?rta (id?pont: 2026. jan. 19.,<br>
> H, 10:05):<br>
><br>
>> Yes! Thank you Joe!<br>
>><br>
>> On Mon, 19 Jan 2026 at 08:33, <joe.brenner@bluewin.ch> wrote:<br>
>><br>
>>> Dear John,<br>
>>><br>
>>> We have not talked to each other recently, but I follow your work with<br>
>>> interest and wanted to applaud the last three lines of your 19.1 note: ... "the<br>
>>> 'logic' of the Cosmos. Symbiogenesis is the mechanism by which life has<br>
>>> acquired the logic of the Cosmos. In other words there is a continuum from<br>
>>> the foundations of the Cosmos to life that is expressed in art."<br>
>>><br>
>>> The image it evoked was that of my sculptor father, Michael Brenner,<br>
>>> making a bust of me at age 10 in his studio in New York. He danced around<br>
>>> his easel in a frenzy *(fr?n?sie) *, chopping away at the emerging<br>
>>> marble head, sweating and grunting. Art comes more easily to many, but I<br>
>>> suggest that its becoming is always partly unconscious, an expression of<br>
>>> the energetic foundations of existence.<br>
>>><br>
>>> Cheers,<br>
>>> Joe<br>
>>><br>
>>> ------but ---- Message d'origine ----------<br>
>>> De : JOHN TORDAY <jtorday@ucla.edu><br>
>>> ? : fis <fis@listas.unizar.es><br>
>>> Date : 17.01.2026 22:58 CET<br>
>>> Sujet : [Fis] What is Art?<br>
>>><br>
>>><br>
>>> Dear FIS, I am of the opinion that art is an expression of<br>
>>> consciousness, raising the question Art as to what consciousness is? I fell<br>
>>> down this 'rabbit hole' twenty years ago, having performed a series of<br>
>>> experiments to understand how and why Parathyroid Hormone-related Protein<br>
>>> (PTHrP) is necessary for the formation of alveoli in the lung (Rubin<br>
>>> LP, Kovacs CS, De Paepe ME, Tsai SW, Torday JS, Kronenberg HM. Arrested<br>
>>> pulmonary alveolar cytodifferentiation and defective surfactant synthesis<br>
>>> in mice missing the gene for parathyroid hormone-related protein. Dev Dyn.<br>
>>> 2004 Jun;230(2):278-89)? The duplication of the PTHrP Receptor gene during<br>
>>> the water-land transition amplified all of the vertebrate physiologic<br>
>>> adaptations to land- lungs, kidneys, skeleton, skin- and since PTHrP is a<br>
>>> stretch-sensitive gene, I tested the hypothesis that PTHrP mediated the<br>
>>> vertebrate adaptation to the force of gravity. If cells are exposed to zero<br>
>>> gravity they lose their differentiated phenotypes (i.e. they devolve), and<br>
>>> when yeast are exposed to zero gravity they cannot conduct a calcium flux,<br>
>>> meaning that they are unconscious. Moreover, human consciousness has been<br>
>>> driven by bipedalism (Torday JS. A central theory of biology. Med<br>
>>> Hypotheses. 2015 Jul;85(1):49-57), freeing our forelimbs for tool<br>
>>> making, including language as a tool, and locomotion. Importantly, both<br>
>>> language and locomotion are under control by the FoxP2 gene, so that<br>
>>> positive selection pressure for FoxP2 would have coordinately stimulated<br>
>>> language and locomotion, expressed through our hands and minds as art of<br>
>>> all kinds- literature, painting, sculpture, music- in other words, art is a<br>
>>> manifestation of our need to communicate with our environment and with<br>
>>> other humans.<br>
>>><br>
>>> Furthermore, all of the above is due to the evolution of homeostatic<br>
>>> control of energy due to Symbiogenesis (Sagan, 1967), or the assimilation<br>
>>> of factors in the environment that threaten homeostasis, including the<br>
>>> elements in the Cosmos, the latter being an exaptation (Gould and Vrba,<br>
>>> 1982) of Stellar Nucleosynthesis (Hoyle, 1946), or the serial chemical<br>
>>> reaction of hydrogen and helium to form the stars, the elements being their<br>
>>> byproducts in the exact order of their atomic masses as thec<br>
>>> Your comments and criticisms are welcomed.<br>
>>><br>
>>> Best, John<br>
>>><br>
>>><br>
>>> _______________________________________________<br>
>>> Fis mailing list<br>
>>> Fis@listas.unizar.es<br>
>>> <a href="http://listas.unizar.es/cgi-bin/mailman/listinfo/fis">https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Flistas.unizar.es%2Fcgi-bin%2Fmailman%2Flistinfo%2Ffis&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140829282%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=Mse2h8O8hEfiFHTuJY%2BTE5oQYPDfSG5rfccScGnpGok%3D&reserved=0</a>
<br>
>>> ----------<br>
>>> INFORMACI?N SOBRE PROTECCI?N DE DATOS DE CAR?CTER PERSONAL<br>
>>><br>
>>> Ud. recibe este correo por pertenecer a una lista de correo gestionada<br>
>>> por la Universidad de Zaragoza.<br>
>>> Puede encontrar toda la informaci?n sobre como tratamos sus datos en el<br>
>>> siguiente enlace:<br>
>>> <a href="https://sicuz.unizar.es/informacion-sobre-proteccion-de-datos-de-caracter-personal-en-listas">
https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsicuz.unizar.es%2Finformacion-sobre-proteccion-de-datos-de-caracter-personal-en-listas&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140848738%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=y0%2Bh1vjWD1F4YUOr1webskSRmXeq98XUAO956e7dJAo%3D&reserved=0</a>
<br>
>>> Recuerde que si est? suscrito a una lista voluntaria Ud. puede darse de<br>
>>> baja desde la propia aplicaci?n en el momento en que lo desee.<br>
>>> <a href="http://listas.unizar.es/">https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Flistas.unizar.es%2F&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140867534%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=3WCR3P07MG7hKHP%2FUlVKX67u1LMsH1l9UGluotGt8oI%3D&reserved=0</a>
<br>
>>> ----------<br>
>>><br>
>><br>
>><br>
>> --<br>
>> Dr. Mark William Johnson<br>
>> Faculty of Biology, Medicine and Health<br>
>> University of Manchester<br>
>><br>
>> Department of Science Education<br>
>> University of Copenhagen<br>
>><br>
>> Department of Eye and Vision Science (honorary)<br>
>> University of Liverpool<br>
>> Phone: 07786 064505<br>
>> Email: johnsonmwj1@gmail.com<br>
>> Blog: <a href="https://urldefense.com/v3/__http://dailyimprovisation.blogspot.com__;!!D9dNQwwGXtA!Xcwf5TuCn_p0gCdRklDlTo7DpzhxpHAaRUW4RTwmwatzXWveOUWJcOWxGJ4ZoFpAjZgRBWJgif586rZ4iSiAePQ$">
https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Furldefense.com%2Fv3%2F__http%3A%2F%2Fdailyimprovisation.blogspot.com__%3B!!D9dNQwwGXtA!Xcwf5TuCn_p0gCdRklDlTo7DpzhxpHAaRUW4RTwmwatzXWveOUWJcOWxGJ4ZoFpAjZgRBWJgif586rZ4iSiAePQ%24&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140882627%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=HfwGz4Z4cZBnqcmobb2Nn%2BAqRPEbGQo11ofNNv4py4M%3D&reserved=0</a>
<br>
>> <<a href="https://urldefense.com/v3/__http://dailyimprovisation.blogspot.com__;!!D9dNQwwGXtA!Sy7jan0S4s1YFJpHuN4D-sV3gAfrxhhzBQF7S5MiBU45idZ4yPypxUsX1z9vO1PzMfnDub5JA9QC0iwpcgYHY1M$">https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Furldefense.com%2Fv3%2F__http%3A%2F%2Fdailyimprovisation.blogspot.com__%3B!!D9dNQwwGXtA!Sy7jan0S4s1YFJpHuN4D-sV3gAfrxhhzBQF7S5MiBU45idZ4yPypxUsX1z9vO1PzMfnDub5JA9QC0iwpcgYHY1M%24&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140897574%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=dHGN3ZBCYIXtKndH%2Bba4c84qt%2FwZTjyEZnHWGYKdHfk%3D&reserved=0</a>><br>
>> _______________________________________________<br>
>> Fis mailing list<br>
>> Fis@listas.unizar.es<br>
>> <a href="http://listas.unizar.es/cgi-bin/mailman/listinfo/fis">https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Flistas.unizar.es%2Fcgi-bin%2Fmailman%2Flistinfo%2Ffis&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140912811%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=FjP7hbbgwdr9a5c7%2BD8J%2Bxw4Qq%2Fy%2BMw0fRH%2B2kohn%2Bc%3D&reserved=0</a>
<br>
>> ----------<br>
>> INFORMACI?N SOBRE PROTECCI?N DE DATOS DE CAR?CTER PERSONAL<br>
>><br>
>> Ud. recibe este correo por pertenecer a una lista de correo gestionada<br>
>> por la Universidad de Zaragoza.<br>
>> Puede encontrar toda la informaci?n sobre como tratamos sus datos en el<br>
>> siguiente enlace:<br>
>> <a href="https://sicuz.unizar.es/informacion-sobre-proteccion-de-datos-de-caracter-personal-en-listas">
https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsicuz.unizar.es%2Finformacion-sobre-proteccion-de-datos-de-caracter-personal-en-listas&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140926888%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=tfqLbtjXfSiuFdi9t8lNpU4rqJnsKpPKWYsOmtuThoo%3D&reserved=0</a>
<br>
>> Recuerde que si est? suscrito a una lista voluntaria Ud. puede darse de<br>
>> baja desde la propia aplicaci?n en el momento en que lo desee.<br>
>> <a href="http://listas.unizar.es/">https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Flistas.unizar.es%2F&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140938072%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=BG1tSeCcSVCMrtxKHEyk9fIJxOTsG0Ns4erTvZbRbM8%3D&reserved=0</a>
<br>
>> ----------<br>
>><br>
><br>
> _______________________________________________<br>
> Fis mailing listFis@listas.unizar.eshttps://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Flistas.unizar.es%2Fcgi-bin%2Fmailman%2Flistinfo%2Ffis&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140951766%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=1WcPK61Fq2cb2Cw9kz%2BKh0gt6uxF%2BFYMa%2FbT8Zzh3P4%3D&reserved=0<br>
> ----------<br>
> INFORMACI?N SOBRE PROTECCI?N DE DATOS DE CAR?CTER PERSONAL<br>
><br>
> Ud. recibe este correo por pertenecer a una lista de correo gestionada por la Universidad de Zaragoza.<br>
> Puede encontrar toda la informaci?n sobre como tratamos sus datos en el siguiente enlace:
<a href="https://sicuz.unizar.es/informacion-sobre-proteccion-de-datos-de-caracter-personal-en-listas">
https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsicuz.unizar.es%2Finformacion-sobre-proteccion-de-datos-de-caracter-personal-en-listas&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140963744%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=fKBLvuV3mYTDFhl%2ByjbLuB3vu9DcQm9yLzxBpMRyhPs%3D&reserved=0</a>
<br>
> Recuerde que si est? suscrito a una lista voluntaria Ud. puede darse de baja desde la propia aplicaci?n en el momento en que lo desee.<a href="https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Flistas.unizar.es%2F&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140978309%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=BJ87xrse%2BFbkU%2BXFjnEIo4n31WVBRIbMPQ3%2Fd%2FBnOuk%3D&reserved=0">https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Flistas.unizar.es%2F&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140978309%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=BJ87xrse%2BFbkU%2BXFjnEIo4n31WVBRIbMPQ3%2Fd%2FBnOuk%3D&reserved=0</a>
<br>
> ----------<br>
><br>
><br>
> _______________________________________________<br>
> Fis mailing list<br>
> Fis@listas.unizar.es<br>
> <a href="http://listas.unizar.es/cgi-bin/mailman/listinfo/fis">https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Flistas.unizar.es%2Fcgi-bin%2Fmailman%2Flistinfo%2Ffis&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265140990723%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=6pkOLLvJUHlwbtsKLRVA%2By6ccEeYgdS0mQgoSlKXDL4%3D&reserved=0</a>
<br>
> ----------<br>
> INFORMACI?N SOBRE PROTECCI?N DE DATOS DE CAR?CTER PERSONAL<br>
><br>
> Ud. recibe este correo por pertenecer a una lista de correo gestionada por<br>
> la Universidad de Zaragoza.<br>
> Puede encontrar toda la informaci?n sobre como tratamos sus datos en el<br>
> siguiente enlace:<br>
> <a href="https://sicuz.unizar.es/informacion-sobre-proteccion-de-datos-de-caracter-personal-en-listas">
https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsicuz.unizar.es%2Finformacion-sobre-proteccion-de-datos-de-caracter-personal-en-listas&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265141003421%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=DE7XLOq8C%2F8Q6CZ8s%2F5nSG4ncV3WgnKIYdB8l2Lb7ss%3D&reserved=0</a>
<br>
> Recuerde que si est? suscrito a una lista voluntaria Ud. puede darse de<br>
> baja desde la propia aplicaci?n en el momento en que lo desee.<br>
> <a href="http://listas.unizar.es/">https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Flistas.unizar.es%2F&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265141020598%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=6N19lcG0NPPaLjBNj%2F1fWRi2pQ6oM7YiDSqXVw3T7k0%3D&reserved=0</a>
<br>
> ----------<br>
><br>
-------------- next part --------------<br>
An HTML attachment was scrubbed...<br>
URL: <<a href="http://listas.unizar.es/pipermail/fis/attachments/20260128/6ef887f8/attachment.html">https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Flistas.unizar.es%2Fpipermail%2Ffis%2Fattachments%2F20260128%2F6ef887f8%2Fattachment.html&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265141036845%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=TPNhN9tXUKFXSnr5LtuNpQ%2BfMtLzXj%2FcoXO8zF%2FdgMc%3D&reserved=0</a>><br>
<br>
------------------------------<br>
<br>
Subject: Digest Footer<br>
<br>
_______________________________________________<br>
Fis mailing list<br>
Fis@listas.unizar.es<br>
<a href="http://listas.unizar.es/cgi-bin/mailman/listinfo/fis">https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Flistas.unizar.es%2Fcgi-bin%2Fmailman%2Flistinfo%2Ffis&data=05%7C02%7C%7C26bc5f40e9fd4fb3123308de5ea63697%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C639052265141052553%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=cWRX9s60VJjPxUBgfJ1sE67oUl4DZPQBt62Cu26Dc1I%3D&reserved=0</a><br>
<br>
<br>
------------------------------<br>
<br>
End of Fis Digest, Vol 129, Issue 61<br>
************************************<br>
</div>
</span></font></span></div>
</div>
</div>
</body>
</html>