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<p class="MsoNormal" style="margin:0cm 0cm 8pt;font-size:12pt;font-family:"Times New Roman",serif">Request for help in computations<span></span></p>
<p class="MsoNormal" style="margin:0cm 0cm 8pt;font-size:12pt;font-family:"Times New Roman",serif">Encouraged by Annette’s interest in a model that generates
place/time/quality coincidences in plenty, let me outline the project I had
been working on, and respectfully ask, whether you see a way to invest manpower
and resources in furthering the cause.<span></span></p>
<p class="MsoNormal" style="margin:0cm 0cm 8pt;font-size:12pt;font-family:"Times New Roman",serif">The task is to find out, by which method Nature manages to
transfer information from its packed form, the DNA, to the surroundings of the
packed form, with the effect that spatial structures are created which interact
(a living cell/system/organ emerges). The registration of the unfolded assembly’s
characteristics happens by means of rewriting the actual state from its
n-dimensional realisation into a description that is two-dimensional (the DNA).<span></span></p>
<p class="MsoNormal" style="margin:0cm 0cm 8pt;font-size:12pt;font-family:"Times New Roman",serif">The approach taken has considered, that the written form of
the description of a state of the world contains symbols that are <i>sequenced, </i>while the unfolded, spatially
existing form’s description can not happen in any way in the form of sequences,
because the unfolded form is contemporary. There exists a dis-congruence, a
conflict between the concepts of being contemporary and of being sequenced.<span></span></p>
<p class="MsoNormal" style="margin:0cm 0cm 8pt;font-size:12pt;font-family:"Times New Roman",serif">Experiments have shown a way to solve this conflict. To see,
how a multitude behaves if subjected to sequencing, a few dozen of the
realisations of <i>a+b=c </i>have been
subjected to sequencing and resequencing. The surprise Huyghens had experienced
is comparable to that spectators of the self-organisation of logical phrases
will experience, if they look through the resequencing machine (of which a
prototype is public, <a href="http://www.tautomat.com" style="color:rgb(5,99,193);text-decoration:underline">www.tautomat.com</a>).
There are more fixed and flexible forms alive here than inhabitants of the
Netherlands! <span> </span><span></span></p>
<p class="MsoNormal" style="margin:0cm 0cm 8pt;font-size:12pt;font-family:"Times New Roman",serif">Cycles have not yet the place in professional or everyday
contexts as they deserve. Cycles are collections of elements that are both
contemporary and sequenced. They represent the process of transition from a
previous order into a new order. Periodic processes consist of cycles. These
subgroups evolve by themselves, according to rules of arithmetic that are too
deep for this person, as numeric facts that connect (link, fuse) specific elements
to each other to cooperate during an exercise of reorder from order A into
order B. A reorder is a task that is solved in teams. The members of a team are
members of a corpus of a cycle. There is a wide variety of cycle decompositions
of all permutations of <i>a+b=c, </i>when
resequenced into a different reading of the same sentence <i>a+b=c, </i>with a different aspect determining the linear order among
the elements. The cycles might be compared to the wheels and cogs of a pocket
watch. <span></span></p>
<p class="MsoNormal" style="margin:0cm 0cm 8pt;font-size:12pt;font-family:"Times New Roman",serif">The specific red thread my research follows is restricted to
theoretical genetics. There, ideal circumstances are present. One may idealise
actors and influencers, forces, information and chemical valences, etc. into
properties of elements. The elements’ infights are an implication of their
properties, and the scarceness of resources is given by the fact, that one and
the same element is contained in several cycles, and is connected to differing
sub-collections of other elements: this allows for many sophisticated relations
which Chemistry and Physics discuss. For Genetics, not the intensity and
diversity of the interactions is of primary interest; we look at the <i>sequence</i> of interactions which has to be
maintained if the work is to run smoothly. Lacking outside metronomes, we have
to do with the longest cycle we can find, and compare the others to this one. The
metronome cycle can be up to 129 beats in duration. (There are 136 elements in
the set.) For redundancy’s sake, one may propose to look into cycles of corpus
strength 122 and 114 to be doing the sequencing infrastructure. <span></span></p>
<p class="MsoNormal" style="margin:0cm 0cm 8pt;font-size:12pt;font-family:"Times New Roman",serif">The task for help would be to clean up the general collection
of cycles and filter out those, which can coexist with the metronome and the main
cog cycles. (To coexist: no element is in two cycles that would be subject to
conflicting requirements while contemporary.) Find canons (same song, k beats
later) that maintain continuity for these. Hypothesis: the canons’ iterations
are the reason for the intron-exon iterations. <span> </span><span> <br></span></p><p class="MsoNormal" style="margin:0cm 0cm 8pt;font-size:12pt;font-family:"Times New Roman",serif">Thank you for your interest:</p><p class="MsoNormal" style="margin:0cm 0cm 8pt;font-size:12pt;font-family:"Times New Roman",serif">Karl<br></p><p class="MsoNormal" style="margin:0cm 0cm 8pt;font-size:12pt;font-family:"Times New Roman",serif"><span></span><span></span></p>
<p class="MsoNormal" style="margin:0cm 0cm 8pt;font-size:12pt;font-family:"Times New Roman",serif"><span> </span></p>
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